1956 Telecaster, 1968 Telecaster Bass, 1965 P-Bass Sonic Blue

This week in the shop we just finished the three guitars below, a 1956 Telecaster, a 1965 Clay Dot Jazz bass in lightly aged Olympic White, and a 1968 Telecaster bass with original finish. All great guitars, all for sale (check for sale section to see if still available):








And we are also restoring a 1965 Precision Bass for my friend Simon in the UK. It'll be Sonic Blue. Below you can see the color coat going on in the Fiesta Finishes spray booth. You can follow this project along with the Photo Set.

This Week 1956 DuoSonic, 1957 Telecaster by Fiesta Finishes

This week we completed two awesome guitars. The first is Arthur's 1956 Duosonic. This guitar is literally one of the very first Duosonics from mid 1956! It was originally Desert Sand but had been stripped to bare wood. The tuner holes had also been enlarged for modern tuners. We installed adapter bushings while Arthur sourced some period correct tuners. Then we applied a Desert Sand finish, preserving the original finish in all cavities. The pick guard assembly and all electronics, knobs, etc. are just as they came from Fender in 1956. Nothing has been touched, and the anodized pick guard is signed by "Mel." I wonder if that's Melvin or Melissa? See more photos here



Next we have a 1957 Telecaster. This guitar was in poor shape when we got it, having a bad finish on both neck and body, dead pickups, wrong tuners with drilled head stock, etc. We worked hard to bring it back to life but I never expected it to turn out to be such a cool guitar! It has a light, one piece Ash body, a pronounced V-Neck, and the rewound pickups sound simply amazing thanks to Tom Brantley at Lindy Fralin pickups! This is one of those guitars you just can't put down because it sounds so cool! I'm a big V-Neck fan so that makes it even more amazing to me personally. It really goes to show that with a little love, some good craftsmanship, and patience, a sorry old Fender can really come alive! I'd really like to keep this one, but alas, it's for sale. Check out more photos here

This Week, Melody Maker Restoration

Who says we only do Fenders? This week we completed Arthur's vintage 60's Gibson Melody Maker. It was in rough shape, so it received a complete Cherry Red restoration. Arthur and I agreed we didn't like the faded brown Cherry, and we didn't want it too bright red so it looked like a new guitar, so we found a happy medium. A nice, aged 'closet classic' Cherry Red. This guitar plays great, the neck feels like a Les Paul.

This Week, 1956 Fender DuoSonic, 1959 Stratocaster, 1958 Telecaster Fret Job

This week we have lots going on at Fiesta Finishes, restoring a Black '73 Strat body, a Desert Sand '56 DuoSonic, and a Sonic Blue '59 Strat.



And we now offer re fret jobs at Fiesta Finishes on your vintage Fender. Finding it frustrating to wait for local luthiers who can't seem to get them done on time and are not experts at Fender maple necks that often require finish work during a re fret, we've brought fret jobs in house. Here a Telecaster neck gets new vintage style frets.

1952 Fender Telecaster, 1953 Precision Bass, Fiesta Finishes

This week at Fiesta Finishes we completed the restoration on two Black Guard Fenders, see pics below. Feel free to inquire if you are interested in either of these rare vintage instruments. Both are spectacular pieces. For more info, click the links below:

1952 Telecaster

1953 Precision Bass

This Week at Fiesta Finishes

This week we finish Tommie Chick's Custom Stratocaster and send it off to him. He'll be thrilled, this is a great guitar! Learn more about
Tommie Chick's Strat.



We also have a new member on the Fiesta Finishes team. This heavy duty Mill Drill will enable us to do body repairs, fix humbucker routes, etc. with more accuracy and efficiency. Can't wait to get it into the work flow!

Tommie Chick's 1954, 1959, 1969, Custom Stratocaster

Tommie Chick (Chick is a nickname coming from his Italian surname) saw one of my '59 style Fender 3 tone sunburst finishes and approached me about doing one for him. Once I explained it's best to fit the parts before the finish is applied, we decided he'd ship me all the parts and I'd put it together for him. Tommie came up with the spec after we decided on a one piece Ash body. He selected a Clapton neck, Callaham hardware, and Abigail Ybarra '69 Strat custom pickups loaded on a single ply white guard. Follow along as the Strat goes together on the Flickr Photo Set.